![]() Make sure to compensate for this sharpness when you edit the footage later. Sometimes, in the right situation, I would shoot completely stopped down. Be careful, though, because shooting at or around f/8 will sharpen up your image a lot. ![]() Deep depth of fieldīokeh will absolutely kill this effect. ![]() There are a number of ways of interpolating the footage in post-production to get this effect, but I recommend going into your camera's "S&Q" function and use a setting that gets closest to the 18 fps margin. These days, the baseline for almost every camera in production is around 24 frame-per-second. Super 8 cameras typically shot anywhere between 12 and 18 frames-per-second. Here are the key things you'll want to remember: Shoot at a low frame rate
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